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Keith was born in Oxford (1930) and now lives and works in Wales. He
studied at the Oxford School of Art and the Royal College of Art, London. and has taught
in the Fine Art Department at Liverpool and Manchester Colleges of Art and Gwent College
of Higher Education. Projects include Self Burial 1969, Walking the Dog 1979
, and The Forest of Dean Project 1986. Selected
bibliography includes Walking the Dog 1979
, introduction by George Melly, Photography
as Performance 1986 and Mysterious Coincidences and Rubbish and
Recollections, all Photographers Gallery publications. Projects since 1992 including Wasteland
and have taken place in venues from Buenos Aires, Sao Paulo and Los Angeles to Rheims
and Rotterdam. Public collections are in the Tate Gallery, Victoria and Albert Museum and
the National Museum of Photography, Bradford, amongst many others. Mark Haworth-Booth has
written: "Is there anything consistent to link the conceptual Arnatt who showed 20
years ago and the somewhat more grizzled character who offers his work today? For a start,
yes, both artists take us on a journey downwards to the surface of the earth, and beneath
that surface. Both have a perverse delight in taking things literally, being so 'down to
earth' that our mouths fall open in astonishment."
Mornings will be spent looking at photographs and slides which
particularly throw up ideas on the nature of representation, especially photographic
representation, and the way we think about photography. Keith has been keen to subvert the
traditional hierarchies which separate vernacular from fine art photography, landscape
from portraiture, advertising from documentary. The discussion will broaden out and become
both palatable, amusing (and often volatile) by relating photography to other forms like
sculpture, film and TV. If you want to understand the difference (and you should!) between
Megalography and Rhopography, book now!
Depending on the group and the questions that arise, Keith will
focus attention by asking you to photograph in ways that may be unusual or challenging. By
particular reference to his own practice at the moment of Landscape and Still Life,
(including advertising), he will review the results with the aim that your own
"quality of noticing" can be sharpened, modified or made more enjoyable.
Keith Arnatt at Duckspool
In association with
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for USA and
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where ever
you see them to have a book delivered to you within days,
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ordering ANYTHING via the buttons on the DUCKSPOOL site (or above), you will
often receive a hefty discount
AND help provide bursary places for the talented, underprivileged and deserving, to attend
visual training workshops via the Duckspool
Education Trust
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